Showing posts with label G321 Thriller Planning. Show all posts
Showing posts with label G321 Thriller Planning. Show all posts

Tuesday, 31 March 2009

Using the Blog

This year the blog was used instead of having hard copies of coursework in a folder. Although there were weaknesses with the blog, there were also strengths that were advantageous.

Strengths:
  • Accessible from any computer.
  • Don't have to carry coursework folders and papers round.
  • Easily organised.
  • Can receive feedback quicker.
  • Neater.

Weaknesses:

  • Slower access on certain computers, school computers especially.
  • Sometimes there were technical errors with the blog.
  • Couldn't be marked in detail, you still had to print a hard copy off if you wanted detailed marking.
  • Difficult to move images round.

However, overall the blog was easier from both a teacher and student point of view, as the teachers didn't have to carry around boxes of coursework, it was easier mark in terms of legibility, and they can feed back over the holidays and during non-school hours. The students, again didn't have to carry round their coursework, it was easier to organise and could incorporate the teachers feedback quickly as we didn't have to wait until school hours.

Thursday, 19 March 2009

G321 Thriller Evaluation; Snatched

In what ways does your media product use, develop or challenge forms and conventions of real media products?

In order to follow generic codes and conventions of the thriller genre we researched thriller films. Our production, Snatched, was influenced by other thrillers such as Essex Boys, because there is false trust between the characters in Essex Boys; for example when John Dyke and Jason Locke's wife [Dyke's lover] plan Jason Lockes death. This Is England also influenced our production as the locations are unglamorous, urban and isolated, as in This Is England when the skinheads take the Pakistani boy football, they are in an unglamorous concrete area. The use of camera angles and shots were influenced by films such as Sleeping with the Enemy, as there are varieties of shot types; for instance when Laura is in her new home after she has run away from her abusive husband, Martin, she hears a noise and there is a close up shot of her face, this inspired the close up's in Snatched as the close up's suggest tension, and therefore create a tense atmosphere. Although the Third Man also influenced our variety of shot types and angles, the Third Man predominately inspired our lighting because, although the action is readable, and the location is well lit, we used different types of lighting throughout our production; for instance when Harry Lime is standing on the doorstep the chiaroscuro lighting means the audience can only see certain aspects of his face, suggesting a bodiless being. In Snatched when Mary and Tom are in the car the lighting is ambient, this connotes that there is a sinister side to both Tom and Mary, and although the action is readable, the ambient lighting suggest a sense of mystery similar to the Third Man.

How does your media product represent particular social groups?

Snatched represents traditional stereotypes; the helpless female victim and the scheming female false friend, and the male villain. The stereotypical female is Grace and she is unknowingly misled by her "friend" Mary. In the beginning the audience don't have any suspicions that Mary has another agenda as when Grace collapses, Mary cries out for help; however the audience soon realise that Mary does have a different agenda, as her and Tom place Grace in the car boot rather than in the back of the car and then have a conversation outside the car while Grace is still in the boot. Throughout the entire sequence Grace is portrayed as the unsuspecting female victim which is a traditional stereotype; which is inspired by Sleeping with Enemy and Kiss the Girls, as the women are kept prisoners by men. In Laura's case, in Sleeping with Enemy, she is kept prisoner mentally by Martin, her husband, as she is too frightened to leave him; however in Kiss the Girls the women are kept physically in cells by "Casanova." Also in both of these films the men are perceived as the characters with power, this influenced our production as Tom is a character of power, as he is in control of the getaway car; Tom could leave Mary at the scene, with Grace still in the boot, and call the police and she could get arrested, therefore both women in Snatched-even though Mary is perceived to have power over Grace-Tom has the overall control over both women; hence Snatched reinforces typical gender stereotypes.

What kind of media institution might distribute your media product and why?

Snatched would be considered for distribution by smaller institutions such as Warp Films or Arthouse as the film has an unknown cast and has been financed by an independent British company, MTL; with a plot which conforms to thriller codes and conventions. The choice of DVD or a Multiplex Cinema would be considered, however due to Snatched being a low budget film with an unknown cast an audience would be less likely to pay to see it in a large complex if something bigger and with a bigger budget was playing, such as; Se7en or Clockwork Orange, as these both have well known, popular actors in them, for example; Malcolm McDowell [Clockwork Orange] and Brad Pitt [Se7en]. The internet is another possibility, with the use of sites such as, http://www.youtube.com/, as the film would appeal to an audience that watches lower budget, complex films and there would be opportunity to "virally" market the film with the use of blogs and websites; this is similar to how Cloverfield was marketed and distributed, as the film had unknown actors, an unusual plot and unusual camera-hand held, similar to Blair Witch Project. Snatched could also go straight to Film4, as they finance British films and are known for showing independent British films, such as Trainspotting and This is England. The scheduled time for Snatched would be around 10pm-11pm doe to the complexity and the atmosphere of the film, as the audience needs to be able to watch the film, without distractions, in order to understand and take in the thriller atmosphere.

Who would be the audience for you media product?

The audience for this type of thriller would be male and female and would be aimed at a wide age range, 19-40, as there are different levels to the production that wide age groups of people are affected by; for instance, drug taking and hoodies. It would also appeal to a large audience because of the time that the film is shown, the complexity of the film and if it was distributed by Film4. We researched the thriller genre and many are classified at 15, but some, such as "Kiss the Girls" are certificate 18 due to the issues that are dealt with; for example, Government corruption, rape, murder. The audience that Snatched is aimed at would watch films and TV dramas, such as Whitechapel, Frost/Nixon and Valkyrie as these all deal with complex and deep issues; Snatched explores the themes of kidnapping and substance abuse, which are deep issues that affect not only the victim, but also involve the victim's family, and create an intense emotional level, a kidnapping especially-this is influenced by the "Kiss the Girls" in which kidnapping and murder are prominent themes throughout. Snatched would be aimed at males and females in the middle class and lower classes demographic because these are the demographics that are affected predominately by substance abuse and live in areas in which this type of abuse occurs, especially those in urban areas, therefore they would be able to relate to theses issues better than people from an upper class background might. The personal aspirations of the audience would be individuals as they would be more likely to try something different and are predominately the target audience for Film4. Our production is different as the kidnapping that takes place isn't a conventional kidnapping that audiences often associate with abduction, a person being taken from the streets by a complete stranger. Grace knows Mary and to begin with the audience aren't suspicious as to Mary having a different agenda, this makes the kidnapping different as it isn't suspected and the involvement of another character isn't suspected either, therefore making the kidnap a surprise, as the audience knew something was going to happen as it was connoted in the title however didn't know what exactly, adding suspense, and leaves the audience asking questions as Mary and Tom clearly aren't at their final destination.

How did you attract/address your audience?

The title initially draws the audience in as it gives just enough away to intrigue them; Snatched, the audience know that something is going to happen, possibly a kidnapping or a robbery, this makes the film appear mysterious, tantalising and intriguing as the plot of the production is left to the audience's imagination. The involvement of drugs is relatable to the audience as it is a contemporary problem and drives theme thus showing appeal to audiences who are concerned about this issue. We would arouse interest and keep the sense of mystery about the film by using viral marketing to begin with, both word of mouth and on the internet, as this is an effective and cheaper way of arousing interest about the film; this is influenced by Cloverfield as this film was marketing virally. As viral marketing isn't infinitely sustainable in its most basic form, the way in which it was done would have to be thought out carefully due to limited funds, making a large advertising campaign impossible, and to make the advertising tantalising and intriguing to the audience.

What have you learnt about technologies from the process of constructing this product?

Throughout the project, I have learnt huge amounts through using Premiere Elements 2 on the computers and have learnt how to edit a film effectively and have learnt to ask myself questions, such as: would flashbacks work better? Using effects has made it easier to emphasis’ action such as, when Grace faints in the beginning of the sequence, and make them more dramatic; the effects, such as the cross dissolve and additive dissolve add confusion and tension and make the action more potent within the film. With practice the camera has become easier to use and understanding that different shot types and camera angles suggest different moods to the audience, for example: a canted shot will connote confusion whereas a long distance shot may suggest isolation and loneliness. When Mary and Tom are sitting in the car, after putting Grace in the boot, we used a medium canted shot, this connoted that there was confusion and animosity between Tom, Mary and Grace's relationship.
Looking back at your preliminary task, what do you feel you have learnt in the progression from it to the full product?
The preliminary task has given me a wider understanding in planning when to shoot and edit the film, and with the help from the group this has been done quickly and constructively. Working within a group with different personalities was helpful as we all had different perspectives and different ideas and different skills, for example: Emily and Matthew were stronger at the computer editing and adding the soundtrack, through them I was able to learn a new skill in editing. Whereas I was stronger in the acting and planning and I was able to help Emily and Matthew with this. In order to make our film the best it could be, we looked over our preliminary task and studied people's strengths and weaknesses within that shoot, and we concluded that Matthew was better at filming and using different shot types/camera angles at appropriate moments, whereas Emily and I were better at the acting. Our original ides of film didn't go to plan due to miscommunication, i.e. lack of variety of shot etc, however due to quick thinking on my behalf and many discussions were managed to shoot 15minutes of raw footage and managed to write all the planning down for a second attempt at a thriller film, this time with a different plot and a different cast. Throughout the planning, shoot and edit we spread the responsibilities, all contributing to the casting considerations. We all decided that Emily and I would be appropriate to play the two girls, this was for convenience as we had problems with our last attempt having lots of people that were outside the group; we only used on extra person, which was Andrew Drane, who we cast as the villain because he had what we were looking for, he looks innocent but also as though he could have a sinister edge to him. Matthew was camera man as he had a good knowledge of the camera and can use a wide variety of shots when filming, he would also reshoot certain parts more than once in order to get as much usable footage as possible.

The entire group contributed with the edit, with Emily and I searching for the soundtrack, we eventually found some unsigned music on http://www.youtube.com/ with assistance from Ms Barton and with the help of Emily we were able to retrieve it from http://www.youtube.com/ with the use of Audacity.

Friday, 20 February 2009

Thriller Alterations

Our original thriller film idea had to be changed, even though it was a good idea, due to the filming of our original not having enough varity of camera shots and angles and the action not being clear due to poor lighting. Although our first idea was original and worked well, due to the lack of varity in the shots and unclear action we decided to change it to the film we have now; Snatched. In Snatched there is a wide varity of shot types from point of view, close ups, match on action, tilt shot etc.

Instead of just re-filming the original idea, which was immigration, we decided to change our idea completely because the location for our original film wasn't as accessible to our group as the City Center; also the certain people we had cast for the immigration film found it difficult to make it to Great Yarmouth (our original location) and to make time in order to attend the shot, in order to fix this problem we recast and had Emily and I as two of the characters and Andrew Drane as our third character; having Emily and I as two of the characters made it easier to make sure everyone could attend the shot, as we needed to be there anyway. Our final character played by Andrew (Andy) Drane was in our original film and agreed to be in our second attempt as well, this was helpful as we didn't need to explain anymore than the storyline to him as he had attended the original shoot as well.

I have included the planning for the original thriller below the planning for the recent completed thriller film, and storyboards for the original film should be up shortly.

Thursday, 22 January 2009

Planning Thriller Film, "Snatched"

Camera Angles and Movement:
Shot 1: Long shot of two girls, Grace and Mary. Audience isn’t sure what the action taking place is, have an idea that it may be something sinister.

Shot 2: Cut to an Extra Close Up shot of Grace's hand, audience now knows what was happening in previous shot.

Shot 3:
Close up of Grace taking the pills, camera tracks up from her hand to her mouth as she is taking the pills.

Shot 4: Close up of Grace and Mary facing each other can see their expressions, Grace is looking faint, and Mary looks worried.

Shot 5: Medium Close up of Grace starting to collapse, follows on from the previous shot, camera tracks Grace falling.

Shot 6:
Cross dissolves to Medium Long Shot of Grace unconscious and Mary kneeling next to her. Camera has tracked Grace fainting from shot 4.

Shot 7: Extra close up of Mary shouting for help can clearly see her expression, which is shocked.

Shot 8:
Long shot of Tom, audience can't see any detail because of this he looks sinister.

Shot 9: Long shot of Mary and Tom carrying Grace, Tom and Mary's relationship is still unknown to the audience.

Shot 10:
Long Tilt shot of Grace in the boot of Tom's car, tilt shot mirrors audience confusion about what's going on. The Long shot establishes Grace's surroundings.

Shot 11: Point of view shot from Grace's point of view. Audience realises that she was drugged, and now that she is trapped in the claustrophobic car boot and that she has no means of escape.

Shot 12:
Medium Close up of Mary and Tom talking, shot of car boot in the background; linking Mary and Tom to Grace inside. Audience realises that Mary and Tom are in this together.

Shot 13:
Extra close up of the car boot. Camera follows Tom's eyes down to the car boot, links him to the situation.

Shot 14:
Medium Long shot of Mary and Tom's conversation as it's ending, walking across each other, as if parting of the ways.

Shot 15: Medium Long shot of Tom getting into his car, can't see the back of the car, so audience don't know that Mary is sitting in the back, they assume she has left.

Shot 16:
Point of view shot, in Tom's point of view, can see Mary in the rear view mirror, Tom looks shocked-similar feeling to the audience.

Shot 17:
Extra Long shot of the car in the distance, audience don't know where the car is headed. Audience left wondering what happens to Grace.

Lighting:
The lighting in all of the shots is non-ambient. The street lights provided enough light for the action to be seen clearly, so there was no need to use extra lighting-from torches etc. We decided that the street lights gave our film the right atmosphere, as it gave an unglamorous and sinister feel because the street lights didn't give a bright white glow which would have been too harsh-another reason we didn't use extra lighting. The only shot that we didn't use the street lights was in shot 11, when Grace is trapped in the car boot. We used the light in the car boot to show the audience where Grace was trapped, but also to show the audience the car boot from Grace's perspective.

Casting:
Man- Andy Drane
First Girl
- Lauren Jordan
Second Girl
- Emily Mullender

Names of Characters:
Man
- Thomas (Tom)
First Girl- Mary
Second Girl
- Grace

We decided on these names because they are biblical names (Mary and Thomas) or they are link with religion in some way (Grace), and it is ironic that the characters are involved in crime yet are linked to religion in which you are supposed to
be good.

Characters with a back story:

*Mary and Grace are friends; They are both involved in drugs; Grace is more heavily involved in drugs that Mary, this is due partly to Mary's encouragement.

*Mary and Tom are partners in crime, although this isn't obvious to begin with (because Mary screams for help); Grace has no idea about Tom, therefore doesn't know about Mary
and Tom. *Mary and Tom are old friends; Mary and Grace are more recent friends, only because of drugs. *Mary and Tom work for a drug lord; Grace owes him money.
Man, Thomas:
*Long dark coat
*Jeans

*Dark shoes

First Girl, Mary:

*Jeans

*Grey Hoody

*Green striped t-shirt

*White pumps
Seco
nd Girl, Grace:
*Jeans

*Light Grey Hoody

*White shoes


Brief synopsis of the plot:
Mary and Grace are in a unglamorous car park at night. Grace thinks they are there just to take their next fix, however Mary is waiting for Tom, in order to get Grace for the drug lord she owes money. Mary encourages Grace t
o take her drugs first; Grace collapses, and at first Mary screams for help, however this is just a show. Tom shows up (the audience think it is in order to help) and both Tom and Mary carry Grace to the car, however instead of putting Grace into the back of the car, they place her in the boot, then an exchange of conversation goes on between them, this is when you fully realise that they are together in this. They then drive off with Grace still in the boot.

Location:

Hollywood car park:
*unglamorous.

*people take drugs round that area; fits with plot.
*Generic due to unglamorous location.
*Lonely, thre
atening, empty.

Props:
*Car

Soundtrack:
*Basehop
*Nu Piano Project, Grime Unearthed.


We also looked on www.last.fm and other music sites that consisted of copy right free/unsigned bands.

We decided to use Nu Piano Project as the music for our thriller because it fitted well with the feel of the film, also the artist was unsigned and this piece of music was copy rig
ht free; the music is used throughout the majority of the film, however during a section where Grace is in the trunk there is diegetic sound of her breathing to give the sense of entrapment and confusion.


Title of the Film:
* Taken
* Abducted

* Snatched

* Kidnapped


In the end we decided on Snatched, because of it didn't sound as random and insignificant, or
as though a small child was involved; as words such as abducted, kidnapped or taken normally are.

Storyboards:



Thursday, 15 January 2009

Thriller Planning: Costume, "Snatched"

Baggy/Boyfriendfit Jeans
For both of the girls, we decided to have them wearing baggy/boyfriendfit jeans, because they don't look overdone and can be made to look scruffy and dirty, which would fit in with the location in which the film is being shot and with the theme and the action that happens in the film.





Plain T-shirt

The other girl will be wearing a plain black t-shirt, for two reasons.
1.) Convenience; it will be easier to film the close ups of the track marks with her arms exposed.
2.) The black signifies her fall into a desperate situation which is about to get worse. It shows that she is despairing and that her life has taken a turn for the worst all because of one mistake.



White Plimsolls
We decided on white plimsolls for Grace because plimsolls are something you wear in infant/junior school and this suggest that Grace is childlike, and also easily manipulated. Also the colour white, suggests that even though what she is doing is wrong, she still has a certain amount of innocence in her, and that it isn't completely her fault she's in this situation.



Grey Hoody
Both of the girls are wearing grey hoodies, because this gives the impression of a tie between them, some sort of bond. The grey colour suggests the normality of the situation, the fact that drug taking is a normal part of our society and because people accept that it's almost dull-similar to the colour grey.





Black Coat (male):

We decided on having the male character wearing dark clothes, as this gives him a more sinister and menacing appearance; they also make it harder to see him when a long distance away or near his car, t his again gives him a sinister and mysterious feel about him.






Black Trousers (male):

The character Tom will be wearing tailored black trousers, to give the impression that he is a genuine helper and not involved in the situation; well presented, well mannered etc. However the black trousers also fit in with the sinister, mysterious and menacing feel that you get from the character when he is near his car or at a distance, difficult to see.





Black Shoes (male):
Tom will also be wearing smart black shoes to give the impression of a well dressed stranger rather than the audience linking him to Mary, because if he was dressed scruffy, unglamourous and average the audience could link him to Mary and Grace as they were averagely dressed; to keep the idea that Tom is in fact a stranger rather than with Mary we dressed him almost business like; he could be a business man going back to his car after work.












Tuesday, 25 November 2008

Overview of Thriller Planning: "Divided"





(This was planning for our original thriller film, before we decided to change due to inadequate footage, and our original cast being unavailable for a second shoot).

Planning Thriller Film:


Camera angles and movement:

Shot 1: Close up of the two immigrants, a reaction shot to see their expressions.
Shot 2: Two immigrants standing on the dock, extra long shot-can’t see their expressions.
Shot 3: Cut to another extra long shot, can’t see faces/facial expressions of the three new people that are in this shot-mysterious.
Shot 4: Cut to Close up shot of “mystery” people, reaction shot of “boss man” can see his expression, no reaction shot of other two men, not completely clear of their faces.
Shot 5: Cut to extra long shot of a struggle. Dist
ance the audience from the violence.
Shot 6: Cut to Close up shot of immigrant woman and “boss man,” reaction shot of immigrant woman, “boss man” in shadow.
Shot 7: Cut to Close up shot of immigrant woman in car (behind window), can only see her outline, no reaction shot, as can’t see her expression.
Shot 8: Cut to extra long shot of car driving away in the distance.
Shot 9: (Two Part) First Part: Extra close up of immigrant man’s face, then Zoom Out to establishing shot and extra long shot of the man’s body.

Lighting:


Shot 1: Chiaroscuro lighting, light on their faces and dark background, to bring focus on their expression.
Shot 2: dark non-ambient lighting, to keep effect of fear and tension, light enough to see people, no features.
Shot 3: ambient lighting, shadowy, gives sense of uncertainty.
Shot 4: Chiaroscuro, light on “boss man’s” face, the “cronies” in shadow, dark.
Shot 5: Dark non-ambient can see the struggle, still gives feeling of tension.
Shot 6: Chiaroscuro, light on immigrant women’s face, “boss man” in shadow, dark, gives “boss man” oppressive present behind woman.
Shot 7: Ambient lighting, can’t really see people, just outline, sense of elusiveness.
Shot 8: Ambient lighting, can just see the headlights, distance themselves from the audience, far away from everything that happened.
Shot 9: Ambient lighting, early morning, sense
of a new day that won’t carry on for immigrant man.

Casting:

Immigrant Man: Andy Drane
Immigrant Woman: Sara Novak

Beefy Guys:
ס Matthew Tyrrell
ס Richard Jordan
Boss Man: Ben Howard
Witness: Lauren Jordan

Characters with a back story:

ס Sarinka and Rapheal are brother and sister, they are from Eastern Europe, they have come over for a better life, and more money. Sarinka and Rapheal have a deal with Ben to provide illegal documents.

Costume-Generic reflects characters:

Immigrant woman:
 Head Scarf

 Jeans
 Kaftan Top/Tunic
 Silver/Gold pumps/shoes

Immigrant man:
 White T-shirt
 Light denim jeans
 White trainers

Beefy Guys:
 Dark jeans
 White T-shirt
 Suit jacket
 Trainers? Black informal shoes?

Boss Man:

 Informal trousers
 White T-shirt (tighter than beefy guys?)
 Suit jacket
 Informal shoes



Brief Synopsis of Plot:

 Opening scene of immigrants-scared expression on woman.
 Immigrants walking down dock
 Meet with 2 beefy guys, and guy in charge.
 Struggle between immigrants and beefy guys-gestures
 Three guys walk off with immigrant woman, forced into car.
 Guy thrown into water (not seen)
 Car drives off with woman, into the distance.
 Body of guy on beach, early morning.

Locations:


Great Yarmouth:
 Unglamorous
 Fits with plot, immigrants and docks.
 Generic due to unglamorous location.
 Docks threatening and oppressive at night.

Props:

 Rapheal has a rucksack.
 Sarinka has an over the shoulder bag (both are overnight size).
 Car-BMW, dark blue.

Objects:

 Boats.
 Crates.
 Number plate (it has BEN on it).

Sound/Soundtrack:

 Splash in the water.

 Woman screaming after splash in the water.

Title o
f the Film:
We decided on the film name Divided, as it gives the audience some idea of what happens in the film, however doesn't give too much away.










Storyboards: